Hey, peoples!
This update is, as I teased last time, a mixed bag of stuff. I've poked around at multiple storylines and added bits of new script and outline to each of them as I tried to settle on one or another. All those greyed-out choices are finally starting to get some attention and maybe I'll be in with a chance of actually finishing writing Penlight one of these days xD
Artwise it's been another fantastic month. The Redemption storyline has its first illustrations now, and Sayori's Doll story gets a couple more, but the highlight is the new one for Nozomi's Trance story. It's so much fun, and I know a lot of people will appreciate that scene coming to life with the CG in place~
Hope you enjoy this one! Next month will see me trying to focus on one of these new story branches with a view to finishing it, and there'll be some more great illustrations to come so look forward to that~
What's New
Ticklish Hands: Added the option for Kyou to refuse help and then change his mind
Ticklish Hands: Added the option for Kyou to refuse help and take advantage of the situation, written up to about halfway through day 5, the "Trickster" path
Villainous Robot: Added the "I can't keep doing this" choice
The first part of the "Become my girlfriend" choice on Nozomi's Trance path has now been written
Two new CGs for Sayori's Doll storyline
Two new CGs for the Redemption storyline
New CG for Nozomi's Trance Storyline
Edited the bedroom scene of Nozomi's Trance storyline, expanding it slightly to make better use of the new CG
A couple of new scenes outlined for the Reversal storyline, and some edits made to existing script
Wrote a little more for the Villainous Robot storyline, along a previously unavailable path ("No, I need to chill out")
Word count is now around 262,000
Spanish localisation: Various edits and corrections to the existing script
Updated the end credits with the latest backers
Minor typo corrections
Known Issues
Changing the language on a line where an animation occurs (like screen shake) will throw up an error.
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