For reasons I don’t really want to get into, I am NOT going to sell this game. (It has nothing to do with copyright issues, but last I checked, it’s near-impossible to copyright sound effects.) However, I will release this game on the 25th this month. …that’s this Saturday in February.
Trust me, the wait will be worth it.
I may try to sell some other games later, though… Just beware.
Nobody's going to mind a time-limited Bonus Stage as long as it's not mandatory to beat it, right?
...and nobody will mind if the developer himself has a hard time with it, either, right?
Almost there...
Thankfully, the fingers can be flipped around for the opposite direction.
Testing out a tentacle...
Trust me, this is part of the process of making cinematics.
If I can't do Sega CD-style, but don't want to resort solely to visual-novel style, I'll take Sierra-Adventure-Game on CD route.
Cutscene work begins with drawing backgrounds.
...maybe I made Timothy's hospital bed too small.
We aren't in deep space. We're above the earth. There are no space potatoes above the earth. There's space debris, though.
The real trick now is figuring out what the starbase you're flying into looks like.
I probably should continue work on the final boss, but I wanted to show you what else I've been working on with this game.
Title menus are really important for home releases, and Game Overs are for less casual gamers.
Okay, the bed's a bit bigger. There are other details I need to correct as well.
Sadly, the reunion between Pinafore and a conscious Timothy will have to wait.
I forgot I designed the auctioneer recently. If there are robot maids, there are robot butlers, too.
...and yes, I did get inspiration from Jughead. What was your first clue?
Screenshots for Belgrad: Curse of the Castle
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